EJOTMAS: Ekpoma Journal of Theatre and Media Arts
- Publisher
- Department of Theatre and Media Arts, Ambrose Alli University, Ekpoma, Nigeria
- ISSN
- 2006-1838; 2449-1179
- Country
- Nigeria
- Language
- English
- Thematic area
- Social Sciences and Humanities
- Access
- Open access
About this journal
EJOTMAS: Ekpoma Journal of Theatre and Media Arts' is a scholarly publication that delves into the vibrant world of theatre and media arts, offering a platform for critical discourse and innovative research within these disciplines. It encompasses a wide range of topics, exploring both theoretical and practical aspects of performance, film, television, digital media, and their intersections. From the intricacies of dramaturgy and stagecraft to the impact of technology on storytelling and audience engagement, EJOTMAS seeks to foster a deeper understanding of the evolving landscape of the arts.
The journal's primary audience consists of academics, practitioners, and students working within theatre and media arts. It attracts scholars and artists from across the globe, offering a space for them to share their research, insights, and creative endeavors. Its focus on interdisciplinary research encourages cross-pollination of ideas, bridging the gap between theoretical perspectives and practical applications. EJOTMAS also serves as a valuable resource for professionals in the industry, providing them with access to cutting-edge research, analysis, and reviews of current trends.
EJOTMAS's impact extends beyond its immediate readership. It serves as a catalyst for intellectual exchange, fostering a vibrant community of scholars and artists dedicated to advancing the field. Through its publication of original research, critical essays, and performance reviews, the journal contributes to the body of knowledge on theatre and media arts, shaping future directions and influencing pedagogical practices. Moreover, EJOTMAS provides a valuable platform for showcasing the work of emerging artists and scholars, contributing to the development of future generations of practitioners and thinkers.
By fostering a space for dialogue, EJOTMAS amplifies the voices of theatre and media arts practitioners and scholars, fostering a richer understanding of these dynamic fields. The journal's commitment to rigorous scholarship and its exploration of contemporary issues ensure its continued relevance and impact on the global theatre and media arts landscape.
Volumes (20 articles)
Volume 8, Issue 12 (2022)
- Beating swords into plowshares and spears into pruning-hooks: Transforming the traditional media of communication from drivers of conflict to instruments for peace and security: Examples from Hakamat singers in Sudan’s Darfur
- Character as social semiotic in Wole Soyinka’s The lion and the jewel
- From the exchequer to the editorial suite: Dilating the intra-professional mutations of Onyema Ugochukwu
Volume 7, Issue 12 (2020)
- A congenial communication climate: the catalyst and panacea for effective organizational communication
- Balancing gender stereotypes in Nollywood: a consideration of Genevieve Nnaji’s Lionheart
- Choreographic metaphors of political terrorism and counter-terrorism in Arodan Dance Theatre
- Constraints in the practice of theatre for development in Nigerian tertiary institutions
- Dance and content issues: implications for contemporary indigenous dance in Nigeria
- Impact of war on women: Iyorwuese Hagher’s Lamp of Peace
- The utilization of literary techniques in Flora Nwapa’s Never Again and Chimamanda Adichie’s Half of a Yellow Sun
Volume 5, Issue 12 (2016)
- Conditioning audience patronage using subject matters in Nollywood films: the example of 30 days in Atlanta
- IDP museum: a panacea for the preservation of cultural heritage in an insurgency bedevilled region
- Issues in the use of costume and its relationship to skin diseases in the Nigerian theatre
- The invasion 1897 agenda in the Benin language film segment of Nollywood
- The Willink Minority Commission and minority rights in Nigeria
- Training the theatre arts teacher in Nigerian colleges of education: problems and prospects
Volume 6, Issue 12 (1970)
- Challenges of Teaching Practice-Based Dance Art in Nigeria: The Department of Theatre and Media Arts, FUOYE Model
- Deconstruction in Performance for Audience Aesthetic Preference: An Experiment with Tyrone Terrence's “A Husband's Wife”
- Pornography and Debasement of Womanhood in African Films: The Examples of Selected Nollywood and Ghallywood Videos
- The Dynamics of Directing for the Stage and the Screen