Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists
- Publisher
- nan
- ISSN
- 0189-9562; 2971-6748
- Country
- Nigeria
About this journal
The Nigeria Theatre Journal, a publication of the Society of Nigeria Theatre Artists, delves into the diverse and vibrant landscape of theatre in Nigeria. Its scope encompasses a broad spectrum of theatrical practices, encompassing traditional, contemporary, and experimental forms, across various geographical regions and cultural contexts. The journal seeks to foster dialogue and critical analysis of the artistic, social, political, and cultural dimensions of theatre in the country.
Key themes explored in the journal include, but are not limited to, the evolution of Nigerian theatre, the role of theatre in social and political commentary, performance studies, dramaturgy, theatre education, and the development of theatrical infrastructure. It also examines the influence of global theatre trends on Nigerian theatre practices and the ongoing efforts to preserve and revitalize indigenous theatrical traditions.
The Nigeria Theatre Journal targets a diverse readership, including theatre practitioners, scholars, students, and enthusiasts. This includes playwrights, directors, actors, critics, academics, researchers, and members of the general public who are interested in understanding the complexities and richness of Nigerian theatre. The journal serves as a platform for sharing knowledge, promoting dialogue, and fostering collaboration among these stakeholders.
The journal's impact extends beyond its readership. It contributes to the development of a comprehensive understanding of Nigerian theatre, its history, and its potential. The journal serves as a valuable resource for researchers and scholars, documenting the evolving landscape of Nigerian theatre and providing insights into its cultural and social significance. It further promotes the recognition of Nigerian theatre on a national and international level, contributing to its visibility and its potential for growth and innovation.
Volumes (20 articles)
Volume 24, Issue 1 (2024)
- Between belief, spirituality and superstition: an ecocritical consideration of selected traditional Igala tales
- Cinema and the ecological challenges in northern Nigeria: insights from the TV series, <i>Sons Of The Caliphate</i>
- Design properties and costumes as identifiers of cultural diversification among the Bura and Tiv people in climate change
- Directing eco-theatricality on the Nigerian stage: lessons from Ahmadu Bello University Studio Theatre
- Impact of climate change on agricultural festivals in Igboland: the case of <i>I Wa Ji</i>
- Promoting sustainable community/agricultural development in Nigeria: Kulgul community TfD
- Towards understanding climate change: the Rijiyar Zaki socio-dramatic dialogue
- Youths and social vices: a critical evaluation of drug addiction in <i>Sweet-Sweet Codeine</i>
Volume 24, Issue 2 (2024)
- Bane of crude oil exploration in the Niger Delta: The example of Ossy Okeke’s liquid black gold
- New media as theatre stage for political education: A study of selected new media skits on the 2023 Nigerian general elections
- Performing climate change, farmers/herders crisis and food insecurity in Africa
- The dynamics of playing earth in Greg Mbajiorgu’s wake up everyone
Volume 23, Issue 1 (2024)
- An analysis of digital devices as elements of storytelling and emplotment in Kemi Adetiba’s <i>King of Boys II</i>
- Artistic creativity, digital technologies and theatrical sustainability: Integrating new media in theatre practice
- Cultural and creative industries and theatre praxis in a digital epoch
- Performing the ‘Invisible’ in <i>Yemoja</i> and ‘Our Family Secret’ through multimedia and virtual theatre