African Performance Review
- Publisher
- Adonis & Abbey Publishers
- ISSN
- 1750-4848; 1753-5964
- Country
- South Africa
- Language
- English
- Thematic area
- Science and Technology
About this journal
The African Performance Review is a scholarly journal that delves into the vibrant and multifaceted world of performance in Africa. Its scope encompasses a wide array of artistic disciplines, including theatre, dance, music, film, and digital media, providing a platform for examining the rich tapestry of African performance traditions, contemporary innovations, and critical perspectives. The journal seeks to understand the role of performance in shaping African cultures, societies, and identities, exploring its historical evolution, socio-political contexts, and aesthetic expressions.
Key themes explored in the African Performance Review include the intersection of performance with identity, power, gender, colonialism, globalization, and technology. It examines the impact of performance on social change, cultural preservation, and artistic innovation. The journal also engages with theoretical frameworks and methodologies for understanding and analyzing African performance practices, fostering interdisciplinary dialogue between scholars from various fields, including theatre studies, anthropology, ethnomusicology, film studies, and cultural studies.
The African Performance Review caters to a diverse audience, including academics, researchers, students, artists, and cultural practitioners. Its readership spans across various disciplines, geographical locations, and levels of expertise, creating a vibrant space for the exchange of knowledge and perspectives on African performance. The journal provides a platform for emerging scholars and established researchers to share their insights, fostering the development of new scholarship and research agendas.
The African Performance Review has made a significant impact on the field of African performance studies, contributing to a more nuanced and comprehensive understanding of the complex and dynamic role of performance in African societies. By fostering dialogue and exchange among scholars and practitioners, the journal has elevated the visibility and scholarly recognition of African performance, promoting its wider appreciation and recognition within the global academic community.
Volumes (20 articles)
Volume 13, Issue 1 (2021)
Volume 11, Issue 2 (2019)
Volume 10, Issue 1 (2018)
Volume 10, Issue 2 (2018)
Volume 9, Issue 1 (2017)
- A Great Moment in the Great Postcolonial Story: Crime, Violence and Grief in Contemporary South African Theatre
- Book Review - Ifa Divination. Knowledge, Power, and Performance. By Olupona, Jacob K. and Rowland O. Abiodun. Bloomington & Indianapolis: Indiana University Press, 2016. ISBN: 9780253018823 (cloth); 9780253018908 (pbk); 9780253018960 (e-book). Pp. 472. £34.00
- Book Review - Paul Schauert, Staging Ghana: Artistry and Nationalism in State Dance Ensembles. Bloomington and Indianapolis: Indiana University Press, 2015. 342 pp. ISBN: 978-0-253-01742-0 (pbk); ISBN: 978-0-253-01749 (ebk)
Volume 8, Issue 1 (2016)
Volume 8, Issue 2 (2016)
- Book Review - The Methuen Guide to Contemporary South African Theatre, 2015. Edited by Martin Middeke, Peter Paul Schnierer and Greg Homann, London: Bloomsbury, P/b, 384pp. ISBN: 978-1-4081-7669-6, Price/£26.09
- Design, Technology and Human Capital: Exploring the Paradigm Shift in Contemporary Nigerian Carnival Performance
- Editorial